Showing posts with label simmons. Show all posts
Showing posts with label simmons. Show all posts

Tuesday, May 5, 2015

Hope Simmons: P2 Final

For my P2 project, I had three keywords guiding my design efforts: passion, unpredictable and energetic. I chose these words, because they reflect upon Charlie Parker himself, bebop music, and/or both. 

The spatial experience I designed depicts a progression of Parker's life: 
1) young & bright beginnings;
2) bold & dark musician lifestyle;
3) a warm tribute to celebrate Parker

The book I designed has french fold binding—the hidden pops of colors and patterns are fitting to the undulating musical notes associated with bebop jazz.











Tuesday, April 14, 2015

Hope Simmons: P1 Final

Left to right: refinement, confidence, energy

















Left to right: refinement, confidence, energy


Refinement: 
For this final piece, I focused on a simplistic approach. During the design process, I moved from a cut and scan method to purely computer. The handmade cut and scan method was not able to provide the refinement I wanted to convey. Therefore, once on the computer I placed each phrase, title and fact on the template with a conscientious effort to use minimal space. In doing so, I created order as well as refinement. The large color fields provide a clean, polished look. The combination of white, yellow and blue adds richness—yellow provides warmth, blue provides strength. I chose a combination of Archer and Gill Sans for my fonts, both having very clean, refined letter-forms.  

Confidence:
For this final piece, I focused on a bold approach. During the design process, I used the cut and scan method. I then moved on to use the computer and used a duotone effect to add boldness through color. For colors, I chose red and orange—red provides boldness and orange provides confidence. While placing the scanned cutouts on the template, I combined straight and angled alignments aimed at creating a strong, dynamic look.  I chose a combination of Clarendon and Snell for my fonts—Clarendon being thick and curvilinear, Snell being well-established cursive letter-forms. 

Energy:
For this final piece, I focused on a dynamic approach. During the design process, I used a cut and scan method. At first, the cereal box appeared too boring. Therefore, I moved on to use the computer and added a duotone effect. I chose orange and blue—contrasting colors that produce a lively affect. However, the cereal box still appeared too boring. I then turned to repetition—instead of repeating with digital fonts (Clarendon + Gill Sans), I decided to use my own hand lettering to overlap the digital type. This effect proved to add the desired energy to the cereal box.

For my client, I propose Energy. It is my most explored piece, and I believe the fun colors and energetic design best fits Rice Krispies

Front & Back: Energy


Alternate Energetic View

























Back details: Energy



















Bottom details: Energy